Written by: sougwenchung
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Body Machine, In Progress

detritus & mechanism, today; morning light and tracing sculptural encasings for cocoons, trying to give my silkworms a good life while they're here, before death and/or metamorphosis
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April 20, 2024
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Bombyx Mori Habitats

Learning how to form habitats; Studies in observation, metamorphosis and care #ROS
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April 20, 2024
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Solo Show at ArtDubai

Sougwen Chung, installation view in HOFA Gallery’s booth at Art Dubai, 2024. Photo by Spark Media. Courtesy of Art Dubai.
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April 20, 2024
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BODY MACHINE, Sculptures composed from spatial movement data, Series in Progress, 2024

body as mechanism / interoperability as necessity / self as system -- imperfect, choral, encoded
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April 20, 2024
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evolution of form

i've been thinking about how the evolution of the bombyx mori and the development of the robotic form have both been shaped by the human imagination, albeit in different ways. Perhaps its time to …
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April 20, 2024
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BODY MACHINE

captured my own movements as spatial data to create these GENESIS sculptural forms — each piece is an array of positions, gestures, traces of the body in physical space
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April 19, 2024

Sougwen 愫君 Chung is a Chinese-Canadian artist and researcher. Chung is the founder and artistic director of ⇢ SCILICET, a studio exploring human & non-human collaboration.

A former research fellow at MIT’s Media Lab, Sougwen is considered a pioneer in the field of human-machine collaboration – exploring the mark-made-by-hand and the mark-made-by-machine as an approach to understanding the dynamics of humans and systems. 

— Sougwen 愫君 Chung is a Chinese-born, Canadian-raised artist & (re)searcher based in London / New York / Hong Kong.

— Sougwen 愫君 Chung is a Chinese-born, Canadian-raised artist & (re)searcher based in London / New York / Hong Kong.

— Sougwen 愫君 Chung is a Chinese-born, Canadian-raised artist & (re)searcher based in London / New York / Hong Kong.

Copyright Sougwen Chung
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