ɥʇɹou ʇsoɯuɹǝɥʇɹou 𝙣𝙤𝙧𝙩𝙝𝙚𝙧𝙣𝙢𝙤𝙨𝙩 𝙣𝙤𝙧𝙩𝙝

2024
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Been feeling kinda quiet since I got back from the northernmost north; amongst capturing the experience through moving image, sound, it was necessary to experience the Arctic Svalbard without editorialising, without narrative. 𝘛𝘩𝘦 𝘈𝘳𝘤𝘵𝘪𝘤 𝘥𝘰𝘦𝘴𝘯’𝘵 𝘯𝘦𝘦𝘥 𝘺𝘰𝘶 𝘵𝘰 𝘮𝘢𝘬𝘦 𝘢 𝘱𝘳𝘰𝘫𝘦𝘤𝘵 / 𝘵𝘰 𝘱𝘳𝘰𝘫𝘦𝘤𝘵 𝘺𝘰𝘶𝘳𝘴𝘦𝘭𝘧 𝘰𝘯𝘵𝘰 𝘪𝘵. So I spent hours meditating in the environment; in snow, rain, puddles and glacier ice. Listening and contemplating the impossibility of leaving no trace. (So much for not editorialising — I’m telling you about it, aren’t I?)

Monday 17.06 - The Pack ice - 80º20,61’N 008º48,46’E

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detritus & mechanism, today; morning light and tracing sculptural encasings for cocoons, trying to give my silkworms a good life while they're here, before death and/or metamorphosis
April 20, 2024
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feat. Drawing Operations (robotic) Unit, Generation 4Paintings as sound compositions Referencing John Cage's Fontina Mix, 1958, a provocation for "musical scores of indeterminacy", these experiments were created in collaboration with …
January 4, 2021

© 2026 Sougwen Chung / SCILICET.
𝘖𝘱𝘦𝘳𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘈𝘳𝘵
drawing alongside robotic systems since 2015
For acquisition, commissioning, & press: ⇢office@scilicet.xyz

© 2025 Sougwen Chung / SCILICET. 
embodied collaboration; metamorphic ecologies.
For press and collaborations: ⇢office@scilicet.xyz

© 2025 Sougwen Chung / SCILICET.
embodied collaboration; metamorphic ecologies. For press and collaborations: ⇢office@scilicet.xyz

© 2025 Sougwen Chung / SCILICET.  
embodied collaboration; metamorphic ecologies.
For press and collaborations: ⇢office@scilicet.xyz

© 2025 Sougwen Chung / SCILICET.  
embodied collaboration;
metamorphic ecologies.

For press and collaborations: ⇢office@scilicet.xyz

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