In a sense, the robotic arm has learned from the visual style of the artists previous drawings and outputs a machine interpretation during the human / robot drawing duet.
Gestures from previous drawings are collected and saved, existing as a memory bank for D.O.U.G._2. Analysis of visual style of historic artists to translate into gesture, as well as colour palette as a collective memory bank from which robotic arm will be able to select.
绘图操作单元第2代 (Drawing Operations Unit 2)：这一代的机器人涉及机器人的记忆。这是对机器人学习艺术家手绘风格的初步探索。机器人的手臂通过在艺术家绘画手势上的训练而产生神经网络的行为。从某种意义上说，机器人手臂已经从艺术家的图画视觉风格中学习，并在人类/机器人绘画二重奏期间呈现出机器的表达。
Avanessian, Armen, et al. Speculative Drawing: 2011-2014. Sternberg, 2014.
Galloway, Alexander R. Protocol, or, How Control Exists after Decentralization. 2001.
Bad New Days: Art, Criticism, Emergency. Verso, 2015.
Clark, Andy. Supersizing the Mind: Embodiment, Action, and Cognitive Extension. Oxford University Press, 2011.
works by sougwen
Drawing Operations (2018)soon...
Omnia per Omnia (2018)A painting performance with a robotic swarm connected to the flow of a city
Drawing Operations (2017)A human & machine drawing collaboration involving memory.
Drawing Operations (2015)A human & robot drawing collaboration involving mimicry
Chiaroscuro (2013)spatial interplay of light and shadow as an immersive installation
Preparatory Gestures (2017)What are the sensory mixes of the future?
Ecdysis (2013)a study in performative architecture
High Tide (Étude Op. 2, No. 4)Project type
The Limitless, The Absolute (2017)Project type
Cardia (2012)Project type
Apolysis (2014)A collaboration with Clint Mansell
Untitled (Étude Op. 1, No. 1-4)Project type
Chiaro Oscuro PrototypesProject type
Topographies (2015)Project type
Dénouement (Recurrent fevers of unknown origin)
Copyright Sougwen Chung